The idea is being able to separate and connect each triad to every possible NCT that appears in that mode Because you are melodically outlining each triad in a melodic manner it gives you better control over all the modes of a scale and allows you to visualize how each note in the scale relates intervallically to every other note instantly. Then do this same thing for the other 6 triads of the same scale and all other positions. This is just one set of possible patterns, deliberately resolving to CTs) After doing that in all inversions in one position will give you a solid mental image if how the NCTs connect to the i triad in one fretboard position.
So if you are playing in minor, start with the i chord in root position and add one of the NCTs to it: 1-2-3-5, then 1-3-4-5, then 1-3-6-5. Upvoted This thread is archived New comments cannot be posted and votes cannot be cast Sort by best.įirst learn the triads in all 3 inversions of the scale, then practice connecting the 2nd, 4th, 6th, and 7th to them, saying the intervals out loud at the same time. So my question is how can i solo melodically like mateus asato and do solo live without doing the same thing over and over again.
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